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Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.
He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.
He spoke about dead birds, I remembered birds interested him back then as well, in Bezalel. See, those are birds that people don’t usually put inside their freezer, long winged, magnificent, fragile. He told me about the freezer, the cooler where a dead bird is each time carried into the club he photographs in, waiting for the right, crucial moment.
I was immediately sorry I hadn’t thought of it myself, that I hadn’t stolen him from life, into my story.
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Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.
“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.
A young man with burning eyes (that’s the way it is, sometimes similes flares in your head, later it softens).
Anyway, a young man with brown eyes, keeping dead birds in his freezer and later taking them out of their coverage in a club named Nightingale Cinema, no less.
The Magpie is the only non-mammal species to have the ability of self recognition in a mirror test.