Harvey Weinstein had the nickname 'the big pig' for years because of his reputation for sexual deviance, his former driver revealed today.
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For instance, Rabbi Daniel Gordis, in the glossary of his book (get the pdf of the book here), Shahak notes that the Megiddo Modern Hebrew-English Dictionary, published in Israel, defines the word as: “unclean animal; loathsome creature, abomination . .” Now, do any of you recall the way Woody Allen pokes fun at psychoanalysts in the film ?
As it turns out, there is a far deeper, darker meaning to the term.
Cuddihy, however, takes this further, writing that In Freud, the deepest taboo of Judaism, the taboo against intermarriage, the forbidden lust of the Jew for the Gentile shiksa, for the shiksa as “the promise of fulfillment,” is rationalized, psychologized, and reinterpreted as the desire for the mother, which desire” he continues, “is held taboo by everyone, of course, not just by Jews.” The particularist, ritual taboo of the Jewish subculture — intermarriage, connubium — is reconceptualized (and psychologized) as the universalist, “scientific,” anthropological taboo on incest.” Of course, since Freud’s ideas had their popular impact during “The Jewish Century,” his bizarre theories were imposed on an unwitting American public, which suffered for decades from this Jewish assault.
(For more on this, see Mac Donald’s , Chapter 4, “Jewish Involvement In The Psychoanalytic Movement.”) Our point, here, however, is to introduce the theme of the shiksa to a wider Gentile public and to tie it into the current uproar over Harvey Weinstein’s case. Goodness gracious me, almost as bad as Jews — you sanctimonious WASPs!
We can assume the inside Jewish word joke is part of it, but there is also the humor that likely comes from once again “pulling one over on the goyim,” who will miss the entire subtext of the (Jewish) joke — all at the expense of us goyim. It’s a shiksa goddess.” (By the way, Wiki tells us that “Lenny has received a rare ‘100% Fresh’ score on the review aggregate website Rotten Tomatoes based on 16 reviews.”) There are any number of useful books on Jews and Jewish themes in Hollywood film, beginning with Patricia Erens’ .
(The theme appears again in the movie in the scene featuring a rabbi “whose secret fantasy is to be whipped by a statuesque shiksa while his wife eats pork.” If you’re confused by all these images, be patient, for we’ll get to detailed explanations soon.) Because Hollywood is certainly a Jewish milieu, scores of films are filled with shiksa themes large and small, and Woody Allen is just one Jew who mines the theme. In the breakthrough film (1974), for example, a film starring Jewish actor Dustin Hoffman as renegade comedian Lenny Bruce (born Leonard Schneider), we see the quintessential shiksa lust scene: Bruce bursts into a room, intent on meeting his blonde girlfriend, and is stunned to see her posing naked for him. As one example of the shiksa theme, she points to the 1963 film Come Blow Your Horn as a typical specimen of Jewish men’s yearning for the shiksa, or, in Erens’s words, “the Jewish male’s search for sexual fulfillment, especially among large-breasted flighty Gentile women.” In this movie, “Alan and Buddy seek a carnal experience which they associate with the Shiksa.
Describing his reputation in France he said: 'When I was waiting for him in the car and he was inside somewhere. The driver has previously claimed that Weinstein beat him when two prostitutes stood him up, adding: 'I know he was going to orgies as well but I had to keep quiet'.
Weinstein was fired by The Weinstein Company earlier this month as dozens of women came forward to say they had been sexually harassed by him over a period of 20 years.
The driver previously said the disgraced mogul once had sex with a woman in the back of his car as she begged him not to 'hurt her'.
Weinstein then demanded he took her back to his usual base, the Hotel du Cap-Eden-Roc in Cannes, and had sex with her again while his pregnant wife, Georgina Chapman, was fast asleep in another room.
— was a Gentile, all the better to feed Weinstein’s revenge-tinged fantasy . To unpack all of this, I’m going to have to go back in literary history to a Jewish American writer few of my readers under age forty (or fifty? Needless to say, Oppenheimer knows this history, which is why he employs the following subtitle to his piece: “The disgraced film producer is a character straight out of Philip Roth, playing out his revenge fantasies on the Goyim.” Before visiting what Roth has written, however, I must offer a brief description of the word “shiksa” and its manifestation in American film. In fact, this likely explains the scene in the film where the psychoanalyst, played by Gene Wilder (yes, he’s Jewish) has an Armenian patient who confesses to sex with a ewe named Daisy. Now, armed with the above knowledge, you may see why Wilder is about to burst out laughing.